Cramond Kirk is a church situated in the area of Cramond in the north west of Edinburgh, Scotland. Built on the site of an old Roman fort, parts of the Cramond Kirk building date back to the fourteenth century and the church tower is considered to be the oldest part.
Near the banks of Loch Fyne, on the west coast, immerse yourself in Britain's finest example of an exotic Himalayan-style woodland garden. Crarae Garden is a tranquil site, with its dramatic gorge, rippling burn, waterfalls and cliffs. The informal hillside layout of mature woody plants radiating out from the burn creates a wonderful natural effect. It is a magical spot at any time of year, with the earlier flowers of countless rhododendrons, azaleas, camellias and magnolias being replaced later in the season by the rich tints of foliage and fruit.
Crarae Garden (National Trust for Scotland)
Crarae is one the finest examples of Himalayan-style woodland gardens in Britain. The 50 acre site is situated in an area of outstanding natural beauty on the banks of Loch Fyne in Argyll, Scotland. Crarae Garden was created in 1912 by Lady Grace Campbell, the aunt of intrepid plant hunter Reginald Farrer, who sourced trees and shrubs from China, Nepal and Tibet. The lower garden at Crarae is also home to a neolithic chambered burial cairn.
This 16th century tower house was built by Alexander Burnett and is a maze of turrets and corridors featuring elaborately painted ceilings and wood panelled floors. It sits in a glorious set of gardens amongst the low hills of the area. The inside houses family portraits, antique furniture, and beautiful architecture, while the garden outside is split into 8 sections encompassing an enormous host of plants. The tour here consists of two 360º images, one exterior of the house and then one in the center of one of the garden’s areas to give a taste of the rest to come. Accessibility note: There is accessible parking and the site is wheelchair accessible, there is also a bike route and a self-guided, dog friendly, trail.
This 16th century tower house was built by Alexander Burnett and is a maze of turrets and corridors featuring elaborately painted ceilings and wood panelled floors. It sits in a glorious set of gardens amongst the low hills of the area. The inside houses family portraits, antique furniture, and beautiful architecture, while the garden outside is split into 8 sections encompassing an enormous host of plants. The tour here consists of two 360º images, one exterior of the house and then one in the center of one of the garden's areas to give a taste of the rest to come. Accessibility note: There is accessible parking and the site is wheelchair accessible, there is also a bike route and a self-guided, dog friendly, trail.
<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--> Crathie Kirk was designed in a cruciform plan in the Scots Gothic style with a distinctive steeply pitched gabled nave and square, corbelled, parapetted crossing tower with splay footed spire. Crathie church is a well designed compact church which is distinguished by having had connections with the Royal Family since its conception. The finely decorated interior is unusual compared to other Church of Scotland churches and shows similarities to more decorative Anglican Churches. This is likely to have been as a result of the Royal connections with this church. The use of plain clay tiles is very unusual in an area where grey slate is much more common. 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This Parish Church dates from 1817 and is situated on a raised circular mound, indicating that this was once a religious site dating back to the 12th century. The village of Crawfordjohn was established in the 12th century by John, stepson of Baldwin, a Flemish Lord from Biggar.
?Crawick Multiverse is a world-class landscape designed by the renowned artist Charles Jencks. Formerly an open-cast coal mine, a 1 million restoration project saw the site transformed from a blot on the landscape to a stunning attraction that can be enjoyed by many. Landforms represent stars, galaxies, black holes, comets and more.
You’ll find Creetown Heritage Museum on the main street of Creetown, a village once known as ‘Ferrytown of Cree’ because ferries used to cross the River Cree here, right back to the days when pilgrims made their way to the shrine of St Ninian at Whithorn. Creetown Heritage Museum has a large collection of old photographs alongside period artefacts telling the story of Creetown’s peoples and industry across the last 200 years. We have old ledgers and registers with records invaluable for genealogy/family tree research.
Originally very much part of the Medieval street plan of the West Bow, the house burnt down in the early 18th century and was replaced with an interesting Dutch gabled building with its own internal timber stairs. The house retains its internal panelling on all floors. Built around 1705 by Thomas Crockett of Johnstounburn. Before the 1827 Improvement Act, West Bow was a steep Z-shaped street which climbed from the Grassmarket to Upper Bow at the foot of Castlehill. Most of the old buildings in West Bow were swept away to make room for the northern side of Victoria Street, built to link the Grassmarket with the new George IV Bridge. Before their demolition, Thomas Hamilton, the architect for the scheme, made careful elevational drawings of the buildings showing that the first five houses at the lower end of the street on the west remain. �
17C corner-turreted L-plan house with an interesting decorated ceiling of probably 1640s. Until recently divided into 2 flats for Palace gardening staff, but now restored by Historic Scotland as their regional office.
Cromar Parish Church, also known as St Moulag?s, was built in the Gothic style and is very large and striking for a small village; the south principal elevation is particularly noteworthy. The south face was built with fine ashlar granite, while the side elevations and rear gable are built with lower quality tooled granite blocks.? Architect William Smith was an Aberdeen contemporary of Alexander Ellis, whose influence is visible. Oversized for its location, this highly unusual piece of Victorian Gothic superseded the 18th century Tarland Old Parish Church in the village square.?
This A Listed building was completed in 1773 by George Ross, owner of the Cromarty Estate, using Government funds from lands forfeited after the unsucessful 1745 Jacobite Rising. The old Mercat Cross was moved to the front of the building just after it opened. The building was used for sittings of the Sheriff Court and other official purposes. A high perimeter wall and cell block was added in 1847. The dome of the cupola was re-roofed by public subscription in the 1950s. The Town Council and Burgh Magistrates continued to use the building until the 1960s. It was rescued from decay and restored in 1991 and is now run by a locally based Trust as a museum and visitor centre. The museum tells the story of Cromarty and the courtroom scene has lifelike figures with an audio enactment of a historic trial. Artefacts held in the museum date from the late Bronze Age (a newly acquired "Tress Ring") through to items donated by local people.
More than 700 years ago, a parish church was built nestled next to a burn and close to the Royal Burgh of Cromarty. Now known as the East Church, the church has stood firm on the same foundations ever since, a witness to changing religious practice, ups and downs in the fortunes of the townspeople, and new building and design styles. The church today reflects many of these changes, and is both a spiritually inspiring and historically fascinating building. The church has been described as 'the epitome of a post Reformation Church' and ranks among the eight finest examples of its type in Scotland. It is nationally significant in terms of both built and ecclesiastical heritage. An exhibition on "Changing faith and fashion, and their influence on East Church architecture" can be seen in the vestry. Artefacts from Cromarty East Church (which were found during the excavation of the interior when the church underwent conservation work) are on display in Cromarty Courthouse Museum (also open for DOD 2018) Tours of the church and burial ground at 11am and 2pm www.eastchurchcromarty.co.uk 01381 600243 cromartyeastchurch@gmail.com
An imposing Georgian mansion, built for George Ross of Pitkerrie soon after he acquired the Cromarty Estate in 1722 and restored by the Nightingale family since the 1960's. The architect is unknown although Ross had close links with the Adam Brothers who visited Cromarty and produced unexecuted designs for a new parish church in the town. The guided tours are ticketed and limited to 25 visitors per tour. These have proven very popular over the years, so, to avoid disappointment, it is recommended that you go to the house on arrival in Cromarty and book your tour. You can then visit the other buildings open in Cromarty, have a coffee or lunch, visit Cromarty Potters, Gallery 48, Ingrid's House, or Gardiner and Gardiner Antiques before returning for your tour. Tours of the house will take place at 11 am, 12 noon, 1 pm, 2 pm, 3 pm and 4 pm. Limited disabled access - staff happy to assist. nightingalecromarty@gmail.com
Lying to the south east of Cromarty House are the Cromarty House Stables of 1772. After lying derelict for many years, they were restored and are now used as an arts centre and artist studios. The magnificent plaster vaulted ceiling are especially noteworthy. As well as the splendid 18th Century building to look around there will be the Highland Book Fair Tour 2012, selling many first editions in travel, children’s, Scottish, classic Penguins, music and general interest.
U-shaped stable and carriage house of Cromarty House, restored by the Cromarty Arts Trust. Tel: (01381) 600811
Cromarty Lighthouse was built by Alan Stevenson, uncle of Robert Louis Stevenson, and operated by the Northern Lighthouse Board from 1842 until it was de-commissioned in 2005. Overlooking John Smeaton's 18th century harbour, the Lighthouse Tower, Keeper's Cottage and Old Buoy Store are now used for marine research and teaching by the University of Aberdeen.
Cromarty Primary School is a Gothic style red and yellow sandstone primary school by Andrew Maitland and Sons 1875-76 with additions in 1890 and 1904 by the same architects. Classrooms are open with work by local school children.
Cromdale & Advie Church of Scotland is a stone built building situated on the banks of the river Spey. The church as it stands today was rebuilt on the site of a much earlier church in 1809. Built into the wall is a reused date stone dated 1602.
The original complex was designed by Sir Basil Spence and completed in 1967. Later additions to the complex included flatted blocks around the southern perimeter and a more recent extension to the nursing home. The extension, which was designed by Davis Duncan Architects, received a Civic Trust Commendation and provides additional bedrooms, dining and lounge space.
Delightful remains of 1681 church on site of 1229 building little used after parish united with Dundonald in 1688.
The characterful churches of Crossmichael and Parton open their doors to welcome visitors to two village churches of fine but contrasting architecture. Crossmichael’s unusual slender round tower was built in 1611, a late addition to the first church. Look out in the churchyard for the headstone of covenanter William Graham, the burial enclosure of the Gordons of Culvennan. Just up the road to the north you will find the village of Parton and another fine church built in 1834, designed by architect Walter Newall, well known for his work in south west Scotland. Famous people buried at Parton include William Macmath, who saved many old Border ballads, and James Clerk Maxwell, eminent scientist.
Founded early in the 13th century by the Earl of Carrick and its remains include the church, cloister, chapter house and domestic premises. Owned by Historic Scotland.
Home of Gordons of Croughly (there was an earlier Croughly upstream of the Conglass Water). James Gordon built some or all of the old house after marriage in 1760, enlarged by Robert's 'new house' after his parent's death in 1812. There are dovecote flight-holes in the gables of the older portion.
The north side of Charlotte Square was built to Robert Adam's 1791 design, making the square one of the finest in Europe. Designed to look like a single palace, the north side is in fact several individual town houses, each separately built and with a different internal layout. No 10 is now the offices of the Crown Estate. The entrance foyer is a faithful recreation of c1860 decor.
Glenlivet is the largest property owned by the Crown Estate encompassing an area of 58,000 acres. From the 16-20C, Glenlivet belonged to the Gordon family, later the Dukes of Richmond and Gordon who owned most of the southern part of Banffshire until the 1900s. It became the property of the Crown Estate in 1937 and is now run as a highly integrated multiple-use upland estate.
Crown Terrace Baptist Church, established in 1839, was the first Baptist Church in Aberdeen. Located in the heart of the City and surrounded by many licensed premises among others, the building was extensively renovated in 2008 to provide a main church area that is accessible to all and suitable for many uses.
The original church dates from 1764 with repairs in 1829 and later 19th Century internal alterations and re-casting in the style of John Robertson, Inverness. It is a long harled rectangular building with a ball finial on the east gable and a birdcage bellcote of the west gable. Pointed arched windows on the south wall provide light to the interior. Internally there are many 19th century mural monuments, mainly to the Rose family of Kilravock and Davidsons of Cantry. There are many handsome table tombs, monuments and a watch house dating from around 1800 in the graveyard.
Croy Historical Society was formed on 4th September 2000 by a group of villagers and former villagers with the aim of identifying, documenting, cataloguing and preserving all available material of local historical interest to Croy village and district. The Society is based at the Heritage Room in Croy Community Centre. Scottish Charity No. SC030769 www.croyhistorical.org.uk
Studio of Roddy McKenzie and Art Gallery in historic house, where artists living and working in Scotland can display their work. Original works and prints available.
The last remaining Cruck Cottage in Dumfries and Galloway. Fashioned from local materials with traditional skills, this cottage, like its many lost companions, was simply constructed on three massive oak cruck frames, fastened together with oak pegs. Thatched, lime washed and earth floored, the cottage still possesses a hanging lum fireplace constructed from cob. The Cruck Cottage was lived in until the 1960s, and then fell into disrepair. It was restored by Solway Heritage in 1990 using the same traditional skills and local materials. The thatch was again renewed in 2004. The Cottage is Category A listed by Historic Scotland, and now of a great rarity in Scotland. Much of its maintenance and exciting plans for its future are now undertaken by the Cruck Cottage Heritage Association, who look forward to meeting visitors during the weekend, and plying them with tea and home baking.
The church is believed to date from the 12th century with restoration in 1890, and is the most complete small Romanesque church in Dumfries and Galloway. The north wall has no windows - consistent with the primitive belief that evil spirits come from that direction.
There have been gardens and parkland on the site since at least the late 17th century. The Botanic Garden, founded with a bequest from Miss Anne Cruickshank, is an educational resource and a beautiful and secluded amenity for University of Aberdeen staff and students and the general public.
The plant collects and treats waste water from houses & business in the Culbokie area.
Including: Cullen House Bridge, North Tower, Old Dining Room, South Tower, Old Kitchens and Grand Entry. Listed Category A. Over the centuries the mansion has grown like Topsy and finally predominantly re-modelled in Baronial manner by David Bryce, 1858-9. However, the core is the 1602 tower house overlooking the Cullen Burn gorge and the ensuing additions and alterations over the years from a veritable roll call of Scottish architects.
Listed Category A. 13th century core, the south aisle added in 1539 with later north aisle forming cruciform plan. In the former chancel (east) there is c. 1550 carved stone Sacrament House, a cupboard for safe keeping of consecrated elements of bread and wine. Above the cupboard recess are two angels supporting a monstrance (ornamental glazed frame displaying consecrated water). Also a magnificent c. 1554 mural tomb and 'Laird's Loft' or private pew for the Earls of Seafield, in part constructed of re-used 17th century carved wood.
P M Bartlett, engineer, 1884-6. The coastal railway, carried on a series of tall arches, fringes Cullen and is now part of the townscape and a public walkway to Portnockie.
THE BATTLE OF CULLODEN was fought on this moor 16 April 1746 The Graves of the Gallant Highlanders who fought for SCOTLAND AND BONNIE PRINCE CHARLIE are marked by the names of their clans
<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--> The following site is worth a visit as you travel along Deeside, it is a Scheduled Ancient Monuments. The site is managed by Historic Scotland, access is free but the site is unmanned. A well-preserved underground passage, with roofing slabs intact over the large chamber and entrance. About 2000 years old. Culsh Earth House, around 14.5m long and 1.8m wide, falls between the two extremes. It is built of large granite boulders and still has its roof of massive flagstones intact. regional types. They range from the massive earth houses of Angus and Perthshire, averaging some 46m2 in area, to those in the Northern Isles providing a mere 5m2 of floor space. The latter date from around 400 BC, whereas the former were most likely built in the first two centuries AD. 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Name="envelope address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="envelope return"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="footnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="annotation reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="line number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="page number"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="endnote reference"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="endnote text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="table of authorities"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="macro"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="toa heading"/> <w:LsdException 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SemiHidden="true" UnhideWhenUsed="true" Name="Note Heading"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text Indent 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Body Text Indent 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Block Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Hyperlink"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="FollowedHyperlink"/> <w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/> <w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Document Map"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Plain Text"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="E-mail Signature"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Top of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Bottom of Form"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Normal (Web)"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Acronym"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Address"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Cite"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Code"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML Definition"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="HTML 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SemiHidden="true" UnhideWhenUsed="true" Name="Table Simple 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Simple 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Simple 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Classic 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Colorful 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Colorful 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Colorful 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Columns 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Columns 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Columns 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Columns 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Columns 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Grid 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 4"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 5"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 6"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 7"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table List 8"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table 3D effects 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table 3D effects 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table 3D effects 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Contemporary"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Elegant"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Professional"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Subtle 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Subtle 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Web 1"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Web 2"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Web 3"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Balloon Text"/> <w:LsdException Locked="false" Priority="39" Name="Table Grid"/> <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true" Name="Table Theme"/> <w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/> <w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading"/> <w:LsdException Locked="false" Priority="61" Name="Light List"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/> <w:LsdException Locked="false" SemiHidden="true" Name="Revision"/> <w:LsdException Locked="false" Priority="34" QFormat="true" Name="List Paragraph"/> <w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/> <w:LsdException Locked="false" Priority="30" QFormat="true" Name="Intense Quote"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/> <w:LsdException Locked="false" Priority="63" Name="Medium 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Name="Light Grid Accent 3"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/> <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/> <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/> <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/> <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/> <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/> <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/> <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/> <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/> <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/> <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/> <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/> <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/> <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/> <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/> <w:LsdException Locked="false" Priority="19" QFormat="true" Name="Subtle Emphasis"/> <w:LsdException Locked="false" Priority="21" QFormat="true" Name="Intense Emphasis"/> <w:LsdException Locked="false" Priority="31" QFormat="true" Name="Subtle Reference"/> <w:LsdException Locked="false" Priority="32" QFormat="true" Name="Intense Reference"/> <w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/> <w:LsdException Locked="false" Priority="37" SemiHidden="true" UnhideWhenUsed="true" Name="Bibliography"/> <w:LsdException Locked="false" Priority="39" SemiHidden="true" UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/> <w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/> <w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/> <w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/> <w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/> <w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/> <w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light Accent 1"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful Accent 1"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light Accent 2"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/> <w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/> <w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/> <w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/> <w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful Accent 2"/> <w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light Accent 3"/> <w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/> <w:LsdException Locked="false" 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All that remains of the original church is the tower and spire and a smaller tower that contained the stair to the end gallery. The rest of the building was destroyed by fire in 1941. Post-war shortages of the building materials delayed the completion of the simplified replacement building until 1959. Fine stained glass window.
Cults Kirk is a well preserved 18th century Presbyterian Church (‘B’ Listed) in a beautiful location. Christian worship has taken place on this site for more than one thousand years. Sir David Wilkie R.A., born in the manse, was a child when the Kirk was renovated to its present form. The only memorial in Scotland to Sir David, by Samuel Joseph, is located in the church. A brief history is available and there is a permanent display of Wilkie’s life and work.
This last Scottish WW2 Prisoner of War Camp boasts a unique collection of listed Nissen huts, currently being adapted for new use by an eclectic mix of volunteers and small-scale craft businesses. Join the exhibition launch of historical pen and ink drawings, uniquely capturing past Arts and Entertainment in the camp.
Designed by Robert Adam in the 18th century, this opulent castle sits atop the Ayrshire cliffs as one of 40 buildings in the 260 ha estate of the 10th Earl of Cassillis. The estate features a Swan Pond, an ice house, formal gardens, and an indoor fruit garden, as well as the famous Oval Staircase at the centre of the castle, also an Adam design. There is a self-guided trail through the grounds which visitors can take as well as guided tours, picnic areas, and wheelchair access There is a 360º image of the staircase, linked blow, as well as a set of external 360º images in and around the castle grounds, above. Accessibility note: There is accessible parking and dogs are allowed https://roundme.com/tour/52578/view/133164/
Cumbernauld Academy opened on 20th August 2014 following the merger of Cumbernauld High School and Abronhill High School. The current Cumbernauld Academy building dates from 1964 and in 2019 will be replaced by a new development..
John Kirkhope is hosting a tented exhibition showing illustrations of the probably 12th century Motte and Bailey Castle of the Comyns, archaeological and map evidence with artist's impressions of the 14th century Castle of the Flemings and thirdly, pictures and plans of the various stages of development of the present William Adam House, built for John Fleming, 6th Earl of Wigton between 1731 and 1746. This will include plans of the current proposals for the conversion to flats now underway. There will be some biopics of some of the famous residents of the later Castle and of the House plus a little story about a groom who came to the House after the Battle of Waterloo. An area of 16th century cobbled courtyard adjacent to the Tent and near the Icehouse and the Garderobe will be excavated and be visible to visitors.
Visit Cumbernauld’s newest public building, with the £8m Cumbernauld Community Enterprise Centre having opened in August 2016 to replace the former Muirfield Community Facility.
This purpose built fire station houses 2 frontline fire appliances and a forward control unit, covering an area of 45 sqkm. Tours of the fire station and fire engines and information on rescue techniques. Meet the fire service personnel and find out about fire safety. The service Urban Fire and Rescue Pod will also be available to explore on the day. Please note: fire engines may be unavailable at times as this is a working station.
For Doors Open Day 2019 there will again be a free shuttle bus ride around Cumbernauld, stopping at all local Doors Open Days participating venues.
Cumbernauld History Exhibition and Guided Walk
An exhibition about the social and architectural history of Cumbernauld will take place at Cumbernauld Community Enterprise Centre. Cumbernauld residents can also bring their photos of the town for Scotland’s Urban Past to scan for Historic Environment Scotland’s official record. We’re also asking Cumbernauld residents to bring their own photos of the town along to the exhibition to share. The Scotland’s Urban Past team will be there on the 24th to scan these photos in to Historic Environment Scotland’s official record of the built environment . The exhibition itself will look at Cumbernauld from it’s inception, as the result of mass overcrowding in Glasgow, and the vision of Cumbernauld as a New Town and a site of opportunity for residents and businesses alike. Using photographs, advertising material, letters and plans from the 1950s through to the 1990s, visitors can explore the ways in which the town was envisioned and run by the Cumbernauld Development Corporation, as well as shaped and experienced by those who made the move there. The exhibition will pay special attention to the work of Brian Miller, Cumbernauld’s town artist from 1962, and the public art which he created, much of which has now disappeared.
A fine 18C mansion house, designed by William Adam. Originally the family seat of the Flemings, the Adam interior was lost in a fire in 1877. The house is now the HQ of the D H Morris Group. Historian John Kirkhope will be giving tours and talks on the history of the building and area. Good example of 17C Scottish 'doo-cot' in grounds.
Cumbernauld House Park is the largest town park in North Lanarkshire and one which is steeped in heritage. There is a tremendous history of the park, from Medieval Castles and Mary, Queen of Scots, to graded A-listed Cumbernauld House, designed by renowned Architect William Adam, and 1980 hit movie, Gregory's Girl through to the present day and the work of the Friends of Cumbernauld House Park. Future projects planned for Cumbernauld House Park include an outdoor gym, construction of a new path network, and a community excavation of Cumbernauld Castle.
Situated within Cumbernauld's main library, the museum tells the story of Cumbernauld and surrounding area from pre-history to the Romans and on through the 19th century to the development of the new town in the 1960s. View originals and reproductions from the vast archive of the Cumbernauld Development Corporation illustrating the conception, realisation and promotion of Cumbernauld Town Centre, including a screening of historic movie clips of Cumbernauld. 11am - 11:45am: Gerry Durkin - Storyteller Stories, songs and laughs for all the family 2pm-5pm: Cumbernauld Films A selection of films from the archives showing in our pop up cinema in the museum On throughout the day Library Memories: A photo display of the Town Centre library For Kids: Colouring in activities, and Lego free play No booking required, just drop in
Designed by the David Leslie Partnership of Glasgow, the building is a fine example of contemporary civic architecture. Built by Mowlem's of Kilsyth, it offers the new town of Cumbernauld a focus for civic events, weddings, meetings and performances.
This category B listed Church is a unique focal point within the Cumbernauld Village Conservation Area. This ancient building owes its foundations to an early chapel built by the Comyn family at the end of the 12th or the beginning of the 13th century. The Chapel fell into disuse after the Reformation but was rebuilt in 1650 and greatly extended in 1659 and remains in use as a Church of Scotland place of worship today. Tours and Leaflets will be available. Sunday Service 10:15am.
Cumbernauld Theatre has a distinguished reputation for producing high quality theatre productions, which tour nationally and internationally. The theatre and arts centre are based within a row of 18th century cottages which were originally built as part of the Cumbernauld House Estate and converted to a theatre in the early 1960's. This will be the final year of Cumbernauld Theatre taking part in Doors Open Days from this building as the theatre will be relocating to a brand new arts centre in 2020, so make sure you get along to see behind-the-scenes of this historic venue one last time.
The former penthouses of Cumbernauld Town Centre. This once award winning brutalist megastructure has suffered from neglect in previous years but now under new management there is a renewed desire to return the penthouses to a suitable use. There are fantastic views over much of Cumbernauld, and farther afield, from the penthouses.
Built in sandstone in 1837, with handsome square tower. Worship accompanied by Perthshire Brass Band as part of Country & Western Weekend. Activities for children.
Designed as an open square by George Kennedy in 1939 using timber naval construction, the walls taper outwards from base to eaves and the main entrance has a hull shaped pediment. Cumming House is 'B-listed. Sadly the square was not completed. Named after Lady Smith-Cumming, a friend of the founder of the School. Exterior viewing only as the building is in residential use by students.
Designed by Robert Ingram and built 1883-5, recently refurbished using traditional materials whilst incorporating updated facilities to provide an arts and entertainment venue for shows, music, comedy club, and meetings, etc. Bust of Keir Hardie by Benno Shotz, 1939.
This University of St Andrews Special Collections project is cataloguing Cupar’s Burgh Records from 1364 to 1975, to eventually make them easily accessible to everyone. A display of their work will be hosted by the Cupar Heritage Centre, adjacent to the railway station; open Saturday 10.30-1.30 and Sunday 2-4.30. So come along and find out about transcribing original documents, researching ancestors, house histories or other aspects of the chronicles of Cupar over the years.
The site of Currie Kirk has been a place of Christian worship for over a thousand years.� The first recorded church was in 1200.� Currie was known as Kildeleith at this time.� A new church was built in c1300 and extended in c1600.�� The present church was erected in 1785 with additions made in 1968.� It houses a Knights Templar gravestone, war memorials, Calvary crosses and many other interesting items.� It lies in a beautiful setting and has an interesting graveyard. www.curriekirk.org
Custom House Leith is the oldest custom house in Scotland. An A-listed Georgian Building designed by Robert Reid in a neo-classical style constructed between 1810-12 with alterations by William Burns in 1825. Custom House is managed by the charity Scottish Historic Buildings Trust, a charity devoted to saving historic buildings at risk and breathing new life into them for the benefit of future generations. https://www.facebook.com/events/2082871791809094/
Cuween Hill Chambered Cairn is a Neolithic chambered cairn on Mainland, the main island of Orkney, Scotland, about 6 miles west of Kirkwall. It dates to around 3,000 BCE, and is similar in design to Maeshowe, but on a smaller scale.
An easy cycle tour of Pollok Park, one of Glasgow's hidden gems, delivered by a professional cycle guide. Hire a bike from us or bring your own! For more information go to: http://glasgowdoorsopenday.com/event/let-our-bikes-do-the-talking/
Church built in 1766 is a blend of vernacular and polite architecture of the period, with an attractive tower and occupying a prominent site in the village. Exhibition in Church Hall. Service at 11 a.m. Image (c) G.Michael Hitchon
Dalarossie Church, which was built in 1790, is situated on the site of an 8th century church, with the River Findhorn skirting its southern wall. It is surrounded by an old kirkyard with many headstones showing trade and origin as well as names. The church was repaired and altered in 1856 by the architect George Rhind and again considerably altered by W. L. Carruthers in 1904. Inside the church there is the baptismal font, formed in the shape of a rough-hewn stone, an old upright stone slab known as the Priest's Stone or bargaining stone, and an old offering ladle.
An afternoon of family fun at the Granite Festival's Grand Opening where you can immerse yourselves in the rich quarrying history of the region and join an afternoon's celebration of song, storytelling and stone. Special exhibition in Dalbeattie Museum. Bouncy castles and children's activities.
Explore Dumfries and Galloway's newest public garden. The Granite Garden has been designed by Solway Heritage to celebrate both the beauty of the natural stone and the craft of the granite worker. The garden exemplifies the many uses of granite, from boulder dyke to flame textured slabs, from rough quarry blocks to highly polished surfaces.
Dalbeattie Museum has displays of the local granite industry, a victorian kitchen/parlour, grandpa's workshop, a radio bunker and the Titanic along with much much more. A warm friendly welcome awaits the visitor to Dalbeattie's award- winning museum. Give us a visit and find out more about the link with the Titanic and Dalbeattie. As said by one visitor "We arrived as strangers but left as friends".
Built in 1793 to replace the ancient St Michael's described as 'a very ancient fabric, thatched with heath and without windows save two or three narrow slits'. During construction, the congregation worshiped in a barn at Dallas Lodge (No. 15). There is a 16C cross and an early 19C gabled watch house.
Dallman Johnstone Architects & Design Studio
Award-winning architects Dalman Johnstone relocated in 2000 into premises designed and developed by the practice. In refurbishing the former mews house they increased the usable floor area by 70% to achieve a striking contrast between the existing and the new, and providing a light and airy illusion of space. Features of the original cottage have been retained, carefully combining the traditional with the modern.
Dalmarnock Leather Works (Andrew Muirhead & Son)
A unique opportunity to visit Andrew Muirhead & Son's historic Leather Works as the Company opens its doors to see best practice manufacturing of modern seating leathers destined for the worlds major airlines and public buildings. � � � �
Norman-style with tower built 1845-46 by McCandlish, New Galloway, architect Patrick Wilson, Edinburgh. Fine pipe organ by Vincent of Leeds installed 1914. Eight stained glass windows by A Ballantine Gardiner, Gordon Webster and others.?
A Category A-listed Romanesque 12th century church at the heart of Dalmeny village. It is one of the best preserved Norman parish churches in Scotland. The main entrance to the church is on the south elevation, where its bestiary carvings and Romanesque columns are of particular architectural merit and are widely documented. The churchyard is also listed and contains a variety of graves and monuments with the earliest dating from 1678.
This castellated Gothic mansion house is currently a private nursing home. It features a five bay facade of coupled windows, corbelled battlemented parapets with a central tower rising behind. Tax rolls indicate there was a building on the site in 1421. The present building was requisitioned during WW2 when it was used as a 'Decoy Centre'. It has the largest stained glass windows in a domestic house in Scotland. (Renton slip road off A82 northbound, follow signs for Dumbarton.)
Traditional T-shaped building of 1771, modifications in 1831 including addition of bell tower. Pulpit with carved wooden canopy. Galleries on three sides. Alongside are remnants of the earlier 1546 church – the Gordon aisle, the burial place of the Gordons of Lochinvar. To the north of the church is a 12th century motte, and it is believed the first church on the site was constructed at that time. Covenanter stones in the churchyard.
A church has been on this site since c.1604. Present building by David Thomson 1873, repaired after fire of 1951 destroyed roof and chancel. Stained glass by Guthrie & Wells, Hemony bell c.1604, organ by Blackett & Howden rebuilt 1952 by Hill Norman & Beard. Service 10.30 am.
? NOTICE: Due to unforseen circumstances the Dalrymple Hall has had to withdraw from this years event. Apologies for any inconvienience caused.?
Dalswinton Barony Chapel stands among beech trees just beyond the planned estate village of Dalswinton. This charming little church was originally designed for use on the Victorian missions, but was provided here for the estate workers. It was bought “flatpacked” from a catalogue of corrugated iron buildings, and sent by rail and horse-drawn freight to Dalswinton in the late 19th century.
Although it was built in 1898, Dalton Village Hall has recently installed a ground source heat pump to provide warmth to the building and solar thermal panels to heat the water, together with improving the level of insulation in the roof of the building. The key to reducing energy costs is improving energy efficiency, and information on energy saving will be available, together with free and impartial advice about small scale renewable energy production using solar thermal and PV panels, wind and hydro turbines, wood fuel heating systems and ground and air source heat pumps. If you are interested in cutting your energy costs or installing renewable technologies, then this Doors Open Days event is not to be missed.
A 1748 Georgian Mansion House in the style of the Adams brothers with a wing added in 1897. It was originally a cell of Pluscarden Abbey. In an idyllic tranquil setting surrounded by trees and well maintained gardens and lawns. The house is owned by the MacLeod family and run as a luxury letting and wedding venue. Light refreshments provided. No disabled access, sorry. www.dalveyhouse.com
This B listed church is set out in the form of a crucifix. It is the union of the former Dalziel and St Andrews Church of Scotland congregations in 1996. The parish of Dalziel has a history stretching back to the 12th century, while St Andrews was a daughter church of Dalziel. Erected in 1874, the building houses an organ by the German firm of Walcker 1900, recently restored.
East Renfrewshire and Glasgow City councils are developing a new country park called Dams to Darnley within the greenspace next to Barrhead, Darnley and Newton Mearns. The country park aims to provide recreational activities for local residents and visitors through a network of paths for walking, cycling and horse riding.A programme of free country side ranger led guided walks and events is publicised in Wagtail, the country park's quarterly newsletter.
Dance Base offers a beautiful and inspiring setting for dance. Designed by Malcolm Fraser Architects, 2001, the centre makes use of the different levels offered by the site. Roof lights and glass floors flood the building with natural light. With four dance studios, Dance Base offers a year-round programme of residences, classes and performances for dancers of all levels.
A Georgian town house in the New Town and home to the Danish Cultural Institute since 1957 it is a category A listed building designed by James Gillespie Graham in 1822. The building was completed in 1830-31 is located in what was originally the Moray Estate, designed for the 10th Earl of Moray (1771-1848). He inherited the 13 acre site from his father, after it was acquired from the Heriot Trust in 1782, and decided to feu the property for development in 1822. The complicated plan with the crescent, oval and polygon of Randolph Crescent, Ainslie Place and Moray Place respectively, conjoins the New Town with the Second New Town.� www.dancult.co.uk
***UPDATE - Darnaway Castle is now fully booked for Moray Doors Open Day 2019, sorry *** Historic seat of the Earl’s of Moray since the C14th. Its crowning glory is Randolph’s Hall with the largest and oldest open timber roof in Scotland. Booking essential *** NOW FULLY BOOKED
R S Ingram, 1888, it is the only Church of Scotland congregation left in Darvel. Splendid stained glass by Douglas Strachan and by Moira Parker, and a very fine 1908 Forster & Andrew pipe organ. New hall at the rear was completed in 1998.
Private museum containing unique display of telephone memorabilia dating from early 1900s to the present. Housed within old bakehouse dating from 1767, adjacent to the Matthew Burn Green, only remaining public green in Darvel.
One of Britain’s largest indoor gardens, the David Welch Winter Gardens boasts the most extensive collection of succulents and cacti in Europe. It includes a Temperate House, a Corridor of Perfumes, a Fern Houses, a Victorian Corridor, a Japanese Garden, A Tropical House, and an Arid House. Originally opened in 1899, the greenhouses were rebuilt after suffering storm damage in 1969. Located next to Duthie Park, the tour starts in the park and moves through the indoor gardens with a set of interactive 360º photos that allow easy travel through the spaces. Accessibility note: The ground in the gardens varies but the majority is level paving with wide doorways.